Motion.

These photographs capture motion not as an interruption, but as a state of being. Taken from the handlebar of a bicycle, they turn the city into a continuous flow of light, texture, and velocity. Streets dissolve into lines, people become echoes of presence, and architecture stretches toward vanishing points. Each frame hovers between abstraction and documentation—a visual translation of movement itself. The blur is both technical and emotional, suggesting perception under pressure, the fleeting rhythm of urban travel. What remains visible is not the city, but the act of passing through it. The camera becomes an extension of the rider's pulse, tracing the tension between control and surrender. These are not images of destinations, but of momentum—the poetry of going.